A review by Malcolm Rutherford in The Financial Times of London, August 12, 1992:

If socialism is dead, can liberalism survive? The piece is called Hush because the question requires a pause for thought and prolonged, quiet discussion. The theater has not approached such a new frontier for a very long time.

Otherwise, the play is set in more conventional Royal Court terms. A 15-year-old girl is being (playfully) buried on a beach. The girl subsequently demands, and gets, sex, from a character called Dogboy. He then practically turns canine and, having killed his dog, kills himself. Another girl, temporarily employed as the house cleaner, wants to go off to Tibet to meet the monks, there not being enough sex on the beach at home.

Do not be put off by such old hat...

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